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Dance education is a practice whereby students are taught a broad understanding of dance as a form of art and who are trained professionally in many different genres of dance. Dance education consists of specialized dancers who conduct original research for teaching others how to dance.
In 1948, Vaganova authored a book titled The Foundation For Dance (more commonly known as Basic Principles of Russian Classical Dance) that outlined her training method and ballet technique. Following Vaganova's death in 1951, her teaching method was preserved by instructors such as Vera Volkova , and Vera Kostrovitskaya.
Spiritual belly dance components of Dancemeditation consists of the following subjects and exercises. Vibration Rocking: Rocking the body in parts or as a whole. Fragmentation: Breaking down movement into smaller and smaller parts, or "micromotions". Undulation Ornamental movement: Drawing curves with the body, in part or whole.
Contact Improvisation (CI) is a postmodern dance practice that explores movement through shared weight, touch, and physical awareness. Originating in the United States in 1972, contact improvisation was developed by dancer and choreographer Steve Paxton, drawing on influences from modern dance, aikido, and somatic practices. [2]
Aerobic dances are musical fitness routines in which an instructor choreographs several short dance combinations and teaches them to a class. This is usually achieved by teaching the class one to two movements at a time and repeating the movements until the class is able to join the whole choreography together.
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Some elements were the result of exploring other movement disciplines. For example, Hawkins invited proponents of Ideokinesis to teach his dance company, and others were influenced by F.M. Alexander's concepts. The term "release technique" emerged in the 1970s, predominantly through the work of Mary Fulkerson and Joan Skinner.
The Gaga movement language was created by Ohad Naharin, former Martha Graham dancer and artistic director of the Batsheva Dance Company (1990-2018), and has been further developed in relation to Naharin's research in dance and choreography. Naharin created Gaga as a reaction to a back injury he was experiencing.