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In popular culture, technological dystopias often are about or depict mass loss of privacy due to technological innovation and social control. They feature heightened socio-political issues like social fragmentation, intensified consumerism, dehumanization, and mass human migrations.
The sublime can be either utopian or dystopian depending on the individual's interpretation of their emotional response. The utopian interpretation of the digital sublime is known as digital utopianism and the dystopian is referred to as digital dystopia .
A dystopia (from Ancient Greek δυσ (dus) 'bad' and τόπος (tópos) 'place'), also called a cacotopia [2] or anti-utopia, is a community or society that is extremely bad or frightening.
Technological utopianism (often called techno-utopianism or technoutopianism) is any ideology based on the premise that advances in science and technology could and should bring about a utopia, or at least help to fulfill one or another utopian ideal.
The beginning of technological dystopian fiction can be traced back to E. M. Forster's "The Machine Stops" (1909). [ 13 ] [ 14 ] M Keith Booker states that "The Machine Stops," We and Brave New World are "the great defining texts of the genre of dystopian fiction, both in [the] vividness of their engagement with real-world social and political ...
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Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". [1] It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. [2]
Cyber-utopianism, web-utopianism, digital utopianism, or utopian internet is a subcategory of technological utopianism and the belief that online communication helps bring about a more decentralized, democratic, and libertarian society.