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The popularly called Tassili mushroom figures are Neolithic petroglyphs and cave paintings discovered in Tassili n'Ajjer, Algeria, which contain features resembling mushrooms. Hypothesized to date back to 7000–5000 BC, they are considered by some researchers to be figures that have shamanic connotations and one of the strongest pieces of ...
Tassili n'Ajjer is a plateau in south-eastern Algeria at the borders of Libya and Nigeri, covering an area of 72,000 km 2. [2] It ranges from east-south-east to Its highest point is the Adrar Afao that peaks at 2,158 m (7,080 ft), located at
Tassili n'Ajjer is a national park in the Sahara desert, located on a vast plateau in south-east Algeria, covering an area of over 72,000 km 2 (28,000 sq mi). It has one of the most important groupings of prehistoric cave art in the world, and was inducted into UNESCO's World Heritage Site list in 1982. [2] [3]
Tassili n'Ajjer, Algeria: The cave paintings found at Tassili n'Ajjer, north of Tamanrasset, Algeria, and at other locations depict vivid scenes of everyday life in central North Africa between about 10,000 BP and 6,000 BP, in the Later Stone Age. There are over 15,000 individual pieces of artwork in Tassili n'Ajjer. The art includes paintings ...
The most direct evidence we have from the Paleolithic in terms of art comes from Tassili, Algeria cave paintings depicting Psilocybe mairei mushrooms [14] dated 7000 to 9000 years [15] before present.
The rock art of the Djelfa region in the Ouled Naïl Range consists of prehistoric cave paintings and petroglyphs dating from the Neolithic age which have been recognized since 1914. Following the Saharan Atlas Mountains they follow on from those, to the west, of south Oran (the regions of Figuig , Ain Sefra , El Bayadh , Afalou and Tiaret), to ...
The Leang Karampuang painting, the researchers said, predates the cave paintings of Europe, the earliest of which is at El Castillo in Spain, dating to about 40,800 years ago.
After having raised the paintings of Tassili in 1956–1957, Henri Lhote, encouraged by the General de Gaulle and several ministers, [3] undertakes in 1959, at the head of a team of five people to which several Tuareg collaborators are added, to make an inventory of the engravings of Oued Djerat (which he will see again in 1969 and 1970). [4]