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Pages in category "Grammy Award for Best Immersive Audio Album" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes .
The category was renamed Best Immersive Audio Album for the 2019 Grammy season. [1] According to NARAS, "driven by the technological side of music evolution, the Best Surround Sound Album category [was] renamed Best Immersive Audio Album. The same goes for the Field to which it belongs.
The Nashville Sound is the sixth studio album by Jason Isbell, and the third credited to "Jason Isbell and the 400 Unit" (the first since Here We Rest in 2011). It was released on June 16, 2017. It was released on June 16, 2017.
Bassnectar in 2008, using an M-Audio Trigger Finger to control tracks playing from Ableton Live Live performances Known for his mesmerizing live shows, concerts are characterized by high volume sound systems , immersive lighting and visual fx , and an "amorphous" blend of genres and musical elements, both electronic and non-electronic. [ 49 ]
The Nashville music track lists performers under a group listing of "Nashville Cast", with the actors performing vocals co-listed with "Nashville Cast" on the track listing. Some songs are performed by multiple actors (i.e., "Love Like Mine", "Telescope") and are differentiated by which actor performs on the track.
Illinois (styled Sufjan Stevens Invites You to: Come on Feel the Illinoise on the cover; sometimes spelled as Illinoise) is the fifth studio album by American singer-songwriter Sufjan Stevens. His fifth studio album, it features songs referencing places, events, and persons related to the U.S. state of Illinois.
Whenever Music City comes up on the NASCAR schedule, texts fly to see who’s spending an extra day or two in town to enjoy all the options. After another successful race this weekend at Nashville ...
Blonde on the Tracks is the debut studio album by Australian singer-songwriter Emma Swift and was released August 14, 2020 by Tiny Ghost Records. The album consists of Bob Dylan covers and was recorded between 2017 and 2020 in Nashville, Tennessee, the album was produced by Wilco's Pat Sansone and featured a number of well-known Nashville musicians as Swift's backing band, including British ...