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Dancer in a Café (also known as Danseuse au café or Au Café Concert and Danseuse) is an oil painting created in 1912 by the French artist and theorist Jean Metzinger.The work was created while Metzinger and Albert Gleizes, in preparation for the Salon de la Section d'Or, were publishing, Du "Cubisme", [1] the first major defense of the Cubist movement, and it was first displayed (under the ...
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Albert Eugene Gallatin (July 23, 1881 – June 15, 1952) was an American artist. He wrote about, collected, exhibited, and created works of art. Called "one of the great figures in early 20th-century American culture," [1] he was a leading proponent of nonobjective and later abstract and particularly Cubist art whose "visionary approach" in both collecting and painting left "an enduring impact ...
The Salon de Independents was established in 1884 for artists who did not meet traditional standards of artistic style at the time. The society was open to everyone and allowed female artists a venue to exhibit their works. Alice Bailly was regularly exhibited in the society, along with many other female artists specializing in cubism. [7]
Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. [2] He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. . However, he also studied artistic painting during evenings at the École supérieure d'art et design Le Havre-Rouen, previously known as the École supérieure des Arts in Le Havre, from about 1897 to 1
The same year, showing a great interest in color and reflecting the transient influence of Fauvism, the work of Gleizes became more synthetic with a proto-Cubist component. [ 5 ] [ 6 ] Albert Gleizes, 1911, Portrait de Jacques Nayral , oil on canvas, 161.9 x 114 cm, Tate Modern, London.
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He then began doctoral work at New York University Institute of Fine Arts. In 1958, at the instigation of his professor Robert Goldwater, Robbins began writing a PhD dissertation on the Cubist artist and theoretician Albert Gleizes. At the time when, writes art historian David Cottington, "the expansionary momentum both of the New York art ...