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Poker-face has a new game at the Starship Casino and wasn't happy that Wellington won big before Poker-face rigged it. But the Silverhawks can't do anything to help him - the Starship Casino lies beyond the Lightyear Limit - the end of their jurisdiction. Copper Kidd volunteers to take him home but decides to help him win back his money instead.
A fictional universe created by Paul Henning where all the main characters come from rural places. Also includes Mister Ed. General Hospital and Other Series (AKA the ABC Soap Opera Universe) General Hospital (1963) 1963–present
Rankin/Bass followed up their successful ThunderCats and SilverHawks series with this series about a team of powered up man/marine form hybrids called the "TigerSharks". ". This third series also featured many of the same voice actors who had worked on ThunderCats and SilverHawks including Larry Kenney, Peter Newman, Earl Hammond, Doug Preis and Bob McF
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The practice of adding tones may have led to superimposing chords and tonalities, though added tone chords have most often been used as more intense substitutes for traditional chords. [3] For instance a minor chord that includes a major second factor holds a great deal more dramatic tension due to the very close interval between the major ...
To make something that’s similar to what you would make in your youth when you don’t know the pitfalls and the trappings and the crap that drags you down, you have to come at it with ultimate joy.
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...