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Arachne (/ ə ˈ r æ k n iː /; from Ancient Greek: Ἀράχνη, romanized: Arákhnē, lit. 'spider', cognate with Latin araneus) [1] is the protagonist of a tale in Greek mythology known primarily from the version told by the Roman poet Ovid (43 BCE–17 CE), which is the earliest extant source for the story. [2]
The Acropolis at Athens (1846) by Leo von Klenze.Athena's name probably comes from the name of the city of Athens. [4] [5]Athena is associated with the city of Athens. [4] [6] The name of the city in ancient Greek is Ἀθῆναι (Athȇnai), a plural toponym, designating the place where—according to myth—she presided over the Athenai, a sisterhood devoted to her worship. [5]
Phalanx (Ancient Greek: Φάλαγξ, romanized: Phálanx, lit. 'spider') is a minor Attic figure in Greek mythology who features in a lesser-known narrative of the myth of Arachne, the girl who enraged the goddess Athena by boasting of being a better weaver than her and was thus transformed into a spider by Athena.
Arachne ("spider") Spider: Athena: Arachne was a Lydian girl noted for her talent in weaving. When she bragged of being a better weaver than Athena herself, the goddess challenged her. In their contest, Arachne drew various instances of gods seducing mortal women, which enraged Athena, who then proceeded to beat Arachne.
Arachne (Αράχνη), a skilled weaver, transformed by Athena into a spider for her blasphemy Ariadne (Αριάδνη), daughter of Minos, king of Crete, who aided Theseus in overcoming the Minotaur and became the wife of Dionysus
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
Marsyas receiving Apollo's punishment, İstanbul Archaeology Museum. In Greek mythology, the satyr Marsyas (/ ˈ m ɑːr s i ə s /; Ancient Greek: Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe that had been abandoned by Athena and played it; [1] [2] in the other, he challenged Apollo to a contest of music and lost his hide and life.
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related to: greek mythology athena and arachne