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Portrait of a Halberdier, The Halberdier or Man with a Halberd is a 1529-1530 or 1537 oil painting by Pontormo, originally painted on panel and later transferred to canvas. It is now in the Getty Museum in Los Angeles . [ 1 ]
The Altarpiece of the Halberd is an oil-on-canvas painting created ca.1539 by the Italian High Renaissance painter Lorenzo Lotto. It is housed in the Pinacoteca civica Francesco Podesti of Ancona , central Italy.
The halberd was usually 1.5 to 1.8 metres (4.9 to 5.9 ft) long. [3] The word halberd is cognate with the German word Hellebarde, deriving from Middle High German halm (handle) and barte (battleaxe) joined to form helmbarte. Troops that used the weapon were called halberdiers. The word has also been used to describe a weapon of the early Bronze ...
Head of a Halberdier is a fragment of a painting by a follower of Netherlandish artist Hieronymus Bosch. It is currently in the Museo del Prado in Madrid. [1] It is thought to be a cropped piece of a larger painting which might have been damaged. [2] A halberdier is a guard who wields a halberd. [3]
The painting has been retouched in many places, and these retouchings have faded. [2] The life-size figures are from classical mythology and probably form an allegory. There is a centaur on the left, and a female figure holding a very elaborate halberd on the right.
Experienced and well-equipped soldiers, receiving double a normal Landsknecht 's pay and getting the title Doppelsöldner, [29] made up a quarter of each Fähnlein. 50 of these men were armed with a halberd or with a 66-inch (170 cm) two-handed sword called a Zweihänder while another fifty were arquebusiers or crossbowmen.
One of the earliest known appearances of the Ji in the historical record is the fangtian huaji (方天畫戟: "painted heavenly halberd") attributed to the warrior Lü Bu in the Romance of the Three Kingdoms. It is unknown whether the peculiarity of his weapon was a literary device used by Luo Guanzhong, the author.
Bierstadt became part of the second generation of the Hudson River School in New York, an informal group of like-minded painters who started painting along the Hudson River. [1] Their style was based on carefully detailed paintings with romantic , almost glowing lighting, sometimes called luminism .