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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
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The following other wikis use this file: Usage on ast.wikipedia.org Clara Peeters; Usage on ca.wikipedia.org Clara Peeters; Usage on cy.wikipedia.org
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
Self-Portrait with Seven Fingers; Self-Portrait with Skeleton; Self-portrait with the Colosseum; Self-Portrait with the Yellow Christ; Self-Portrait with Thorn Necklace and Hummingbird; Self-Portrait with Two Pupils; Self-Portrait Yellow-Pink; Self-Portrait. Between the Clock and the Bed. The Smokers (painting) Study for a Self-Portrait ...
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In the portraits drawn by her husband, she is as he wanted the world to see her; in her self-portrait three years before their separation, she resumes her Italian turban, but not the lipstick or the cameo, which, a fervent Catholic in an Anglican country, she replaces with a cross.
Place of creation: France : Object history: Mme Johanna van Gogh-Bonger, the artist's sister in law, Amsterdam; sold through Frankfurter Kunstverein to Leonhard Tietz (died 1914), Cologne, in February 1912 [see records in van Gogh-Bonger's account book: "19/2 2-1912 'Kunstverein Frankfurt portret' 2942.50 [guilders]" and "95/15 2-1912 'ontvangen uit Frankfort Kunstverein voor portret' 2942.50 ...