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James Mongrain (b. 1968 or 1969 (age 55–56) [1]) is a Seattle-area glass artist.He was educated at Moorhead State University in Minnesota, then studied glassblowing at Massachusetts College of Art and Design and the Appalachian Center for Crafts. [2]
A stage in the manufacture of a Bristol blue glass ship's decanter.The blowpipe is being held in the glassblower's left hand. The glass is glowing yellow. As a novel glass forming technique created in the middle of the 1st century BC, glassblowing exploited a working property of glass that was previously unknown to glassworkers; inflation, which is the expansion of a molten blob of glass by ...
Scientific glassblowing is a specialty field of lampworking used in industry, science, art and design used in research and production. Scientific glassblowing has been used in chemical, pharmaceutical, electronic and physics research including Galileo's thermometer, Thomas Edison's light bulb, and vacuum tubes used in early radio, TV and computers.
The simplest cane, called vetro a fili [3] (glass with threads) is clear glass with one or more threads of colored (often white) glass running its length. It is commonly made by heating and shaping a chunk of clear, white, or colored glass on the end of a punty, and then gathering molten clear glass over the color by dipping the punty in a ...
From hand-worked Murano glass lamps to beveled cobalt blue vases that have been individually mouth blown, these norm-shattering glass-blown pieces are anything but derivative. Eclipse Vase
In 1968, Labino's book Visual Art in Glass [15] became the first book to be written about the studio glass movement. It was followed in 1971 by Glassblowing: A Search for Form, by Harvey K. Littleton. [16] Through the university's glass program, Littleton taught many who became prominent glass artists, and who, in turn, spread the word about ...
He turned the technique of "working at the lamp" to an art form back in 1968, when he opened the Frabel Studio in Atlanta, Georgia. [ 1 ] [ 2 ] At that time crystal glass was not considered a serious art medium and few artists were utilizing the beauty and diversity of glass to create unique art pieces.
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