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For example, there is no red, or green, or blue in that world. Redness, greenness, and blueness are phenomena that are created by the cortex of the experiencing individual. A musical quality, the flavor or the wine, or the familiarity of a face is a rapid creative synthesis that cannot, in principle, be explained as a mere sum of elemental ...
Lewis-Williams first published some of the ideas that would form the basis for his argument in The Mind in the Cave in a 1988 academic paper co-written with Thomas Dowson entitled "The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art" Fellow archaeologist Robert J. Wallis would later characterise this as "one of the most controversial papers" in rock art research.
[1] [2] Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience. [3] Schopenhauer's aesthetic theory is introduced in Book 3 of The World as Will and Representation, Vol. 1, and developed in essays in the second volume.
One approach to Eastern art history divides the field by nation, with foci on Indian art, Chinese art, and Japanese art. Due to the size of the continent, the distinction between Eastern Asia and Southern Asia in the context of arts can be clearly seen. In most of Asia, pottery was a prevalent form of art.
Consciousness element (viññā ṇ a-dhātu) Described as "pure and bright" ( parisuddha ṃ pariyodāta ṃ ), used to cognise the three feelings ( vedana ) of pleasure, pain and neither-pleasure-nor-pain, and the arising and passing of the sense contact ( phassa ) upon which these feelings are dependent.
According to philosophical materialism, mind and consciousness are caused by physical processes, such as the neurochemistry of the human brain and nervous system, without which they cannot exist. Materialism directly contrasts with monistic idealism, according to which consciousness is the fundamental substance of nature.
Godai (五大, lit. "five – great, large, physical, form") are the five elements in Japanese Buddhist thought of earth (chi), water (sui), fire (ka), wind (fu), and void (ku). Its origins are from the Indian Buddhist concept of Mahābhūta , disseminated and influenced by Chinese traditions [ 1 ] before being absorbed, influenced, and refined ...
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...