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Franklin Booth (July 18, 1874 – August 25, 1948) was an American artist known for his detailed pen-and-ink illustrations. He had a unique illustration style based upon his early recreation of wood engraving illustrations with pen and ink. His skill as a draftsman and style made him a popular magazine illustrator in the early 20th-century.
Pen and ink illustration Joseph Clement Coll (July 2, 1881 – October 19, 1921) was an American book and newspaper illustrator . He was known for his pen and ink story illustrations that were used to illustrate adventure stories such as Conan Doyle's Sir Nigel .
This is the book that inaugurated the Cranford School. The 1898 Cranford, online at the British Library. This edition replacing some of the original 1891 pen and ink illustrations by Thomson with coloured illustrations by him. Hugh Thomson collection at Mount Holyoke Special Collections; Hugh Thomson collection at Coleraine Museum Archive
In 1973, David Macaulay’s “Cathedral,” a new book featuring mind-blowingly detailed pen-and-ink drawings of a Gothic cathedral, appeared on library shelves.
Book illustrating then became Rackham's career for the rest of his life. By the turn of the century, Rackham had developed a reputation for pen and ink fantasy illustration with richly illustrated gift books such as The Ingoldsby Legends (1898), Gulliver's Travels and Fairy Tales of the Brothers Grimm (both 1900).
Wrightson spent seven years drawing approximately 50 detailed pen-and-ink illustrations. [1] The book includes an introduction by Stephen King and from Wrightson himself. The illustrations themselves are not based upon the Boris Karloff or Lee films, but on the actual book's descriptions of characters and objects. [1]
Wrightson spent seven years drawing approximately 50 detailed pen-and-ink illustrations to accompany an edition of Mary Shelley's novel Frankenstein. The illustrations themselves are not based upon the Boris Karloff or Christopher Lee films, but on the actual book's descriptions of characters and objects. [23]
The Peacock Skirt is an 1893 illustration by Aubrey Beardsley. His original pen and ink drawing was first reproduced as a wood engraving in the first English edition of Oscar Wilde's one-act play Salome in 1894. In later editions it was photo-mechanically reproduced as a lineblock for printing.
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