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In 2008, John Hudson, scholar and theatre producer, introduced the idea that Lanier wrote the works of Shakespeare. [2] [5] [6] Hudson found similarities between the works of Shakespeare and Lanier's poetry book Salve Deus Rex Judaeorum. He also noted her educated background and cosmopolitan upbringing as support of the idea.
In November 2020, Peter Bassano, a descendant of Lanier's uncle, published a book, Shakespeare and Emilia, claiming to have found proof that Lanier is Shakespeare's Dark Lady. Bassano points to the similarity of Hilliard's alternative miniature to a description of Lord Biron's desired wife in Love's Labour's Lost : "A whitely wanton, with a ...
Sonnet 147 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Shakespeare Was a Woman and Other Heresies is a 2023 nonfiction book by journalist Elizabeth Winkler about the Shakespeare authorship question. The book uses journalism and literary criticism to explore the possibility that the works of Shakespeare were written by someone other than William Shakespeare of Stratford-upon-Avon .
Bennett wrote a number of fantasies between 1917 and 1923 [4] and has been called "the woman who invented dark fantasy". [5] Her most famous books include Claimed (which Augustus T. Swift, in a letter to The Argosy called "One of the strangest and most compelling science fantasy novels you will ever read") [a] and the lost world novel The ...
Orville Ward Owen. Dr. Orville Ward Owen (January 1, 1854 – March 31, 1924) was an American physician, and exponent of the Baconian theory of Shakespearean authorship. Owen claimed to have discovered hidden messages contained in the works of Shakespeare/Bacon.
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Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years.