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'suffering or experience') appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. [1] Pathos is a term most often used in rhetoric (in which it is considered one of the three modes of persuasion, alongside ethos and logos), as well as in literature, film and other narrative art.
Pathos (plural: pathea) is an appeal to the audience's emotions. [6]: 42 The terms sympathy, pathetic, and empathy are derived from it. It can be in the form of metaphor, simile, a passionate delivery, or even a simple claim that a matter is unjust. Pathos can be particularly powerful if used well, but most speeches do not solely rely on pathos.
As such, emotions have specific causes and effects. [1]: II.1.2–3 A speaker can therefore employ this understanding to stimulate particular emotions from an audience. However, Aristotle states that along with pathos, the speaker must also exhibit ethos, which for Aristotle encompasses phronesis, arete, and eunoia. [1]: II.1.5–9
Bathos – an emotional appeal that inadvertently evokes laughter or ridicule. Belles lettres – written works considered to be of high quality because they are pleasing to the senses. Brevitas – concise expression. Burden of proof – theory of argument giving the obligation of proving a case to the asserting party.
On Passions (Greek: Περὶ παθῶν; Peri pathōn), also translated as On Emotions or On Affections, is a work by the Greek Stoic philosopher Chrysippus dating from the 3rd-century BCE. The book has not survived intact, but around seventy fragments from the work survive in a polemic written against it in the 2nd-century CE by the ...
The power of emotions to influence judgment, including political attitudes, has been recognized since classical antiquity. Aristotle, in his treatise Rhetoric, described emotional arousal as critical to persuasion, "The orator persuades by means of his hearers, when they are roused to emotion by his speech; for the judgments we deliver are not the same when we are influenced by joy or sorrow ...
In modern times [15] "sentimental" is a pejorative term that has been casually applied to works of art and literature that exceed the viewer or reader's sense of decorum—the extent of permissible emotion—and standards of taste: "excessiveness" is the criterion; [16] "Meretricious" and "contrived" sham pathos are the hallmark of sentimentality, where the morality that underlies the work is ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...