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"Going Underground" is a single by English rock band the Jam, written by lead guitarist Paul Weller and released in March 1980. It debuted at number one in the UK Singles Chart, [3] spending three weeks at the top. [4] "
It was the only Jam single to be written by Foxton apart from "Funeral Pyre" which was co-written by all three band members. [3] The video for the single was filmed on the roof of Battersea Power Station in Battersea, London. [4] The song was used as the theme tune for the British satirical panel game Mock the Week. [5]
All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records.The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival.
Live on Two Legs has been certified platinum by the RIAA. [8] "Daughter" features vocalist Eddie Vedder singing lyrics to Neil Young's "Rockin' in the Free World" (as the band continues a quiet jam to "Daughter") along with lyrics to Pearl Jam's own "W.M.A." towards the end of the song. The album also contains Pearl Jam's rendition of Young's ...
Live at Easy Street is a live EP by the American alternative rock band Pearl Jam that includes songs taken from a surprise in-store performance at Easy Street Records in West Seattle on April 29, 2005. The EP was released on vinyl to celebrate Record Store Day on April 13, 2019.
Live on Ten Legs is a live album by American rock band Pearl Jam released on January 17, 2011. [7] Composed of songs recorded during the band's 2003–2010 world tours, [8] it is a companion piece to their 1998 live album, Live on Two Legs. All songs were remixed by longtime Pearl Jam engineer, Brett Eliason. [9]
"I'm just as shocked as all of you that I'm starting a podcast, but if everyone's gonna be talking about me and my family, you might as well hear it from me," Kelce says in the video.
Fire And Skill – The Jam Live is a six-disc collection of live performances by The Jam, released in 2015, and incorporating six previously unreleased live concerts by the band between 1977 and 1982. [1] The title of the collection refers to a motto inscribed on Paul Weller's guitar amplifier.