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The sonata for violin and piano in G minor, L. 140, was written in 1917. It was the composer's last major composition and is notable for its brevity; a typical performance lasts about 13 minutes. The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance.
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]
Violin Sonata No. 5 in F-sharp minor, Op. 84; Violin Sonata No. 6 in D minor, Op. 103b/1; Violin Sonata No. 7 in A major, Op. 103b/2; Violin Sonata No. 8 in E minor, Op. 122; Violin Sonata No. 9 in C minor, Op. 139 (violin version of the clarinet sonata in B-flat major, Op. 107 sometimes included, and the sonatas Op. 103b are sometimes not ...
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
The Sonata for Violin and Cello (French: Sonate pour violon et violoncelle) is a composition written by Maurice Ravel from 1920 to 1922. He dedicated it to Claude Debussy, who had died in 1918. [1] It premiered on 6 April 1922 with Hélène Jourdan-Morhange playing the violin and Maurice Maréchal the cello. It is in the key of A minor, with ...
The Fantaisie is in three movements, as in a traditional concerto, with the first movement in sonata form, a slow, calm middle movement, and an energetic finale. [2] This despite the title, a fantasia is traditionally in a single movement with several sections of vastly different character, and contains no "sonata form".
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In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.