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Chinese blue and white ware became extremely popular in the Middle-East from the 14th century, where both Chinese and Islamic types coexisted. [20] From the 13th century, Chinese pictorial designs, such as flying cranes, dragons and lotus flowers also started to appear in the ceramic productions of the Near-East, especially in Syria and Egypt. [21]
Blue Pottery Exhibit, Jaipur School of Art, Albert Hall Museum Famous Raja Rani (King Queen) Vase of Jaipur School, Albert Hall Museum The use of blue glaze on pottery is an imported technique, first developed by Mongol artisans who combined Chinese glazing technology with Persian decorative arts.
Although there have been several periods of disruption in pottery production at Gzhel, quality pottery is once again being produced in both the recognizable blue on white design as well as the more colorful Maiolica ware. The second quarter of the 19th century is the period of the highest artistic achievements of Gzhel ceramic art in all its ...
Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...
Typical "Wedgwood blue" jasperware plate with white sprigged reliefs. Wedgwood pieces (left to right): c. 1930, c. 1950, 1885. Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 [1] by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. [2]
The cobalt was ground and mixed with a medium, then painted onto the dried bodies of the pots, which were then glazed and fired. At a later date a source of cobalt was found within China; this differed from the Persian ore in the proportion of associated manganese. The colour on the fired pots was a grey-blue rather than a pure blue.
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