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"Just an Illusion" is a song by the British trio Imagination. Co-written by Steve Jolley, Tony Swain, Ashley Ingram and Leee John, the song was a major European hit, peaking at number 2 in the group's native UK. In the United States, "Just an Illusion" went to number 27 on the Black chart. [2] The song also peaked at number 15 on the dance ...
Their biggest hit, "Just an Illusion", peaked at number two in March 1982 ("Just an Illusion" would later be used as the end title song to the 1986 film, F/X), followed by "Music and Lights" (number five in June), "In the Heat of the Night" (number 22 in September, also the name of their second album), and "Changes" (number 31 in December). [7]
In the Heat of the Night was Imagination's most successful album, reaching No. 7 in the United Kingdom. "Just an Illusion" was the group's highest charting single, peaking at No. 2 (kept off the top spot by the Goombay Dance Band's "Seven Tears"), and also making the top 10 in several other countries in Western Europe and Scandinavia.
Title Details Peak chart positions Certifications FRA [3]NL [6]Gold: Released: 26 October 1984 [14]; Label: R&B — — The Best of Imagination: Released: September 1985
Their biggest hit, "Just an Illusion", peaked at number 2 in March 1982. The trio frequently appeared on Top of the Pops and other pop music programmes. Imagination released 7 albums in total, the most famous being first 3: Body Talk (1981), In the Heat of the Night (1982) and Scandalous (1983). [11]
The pair met in 1975 when Swain was working as a television cameraman on The Muppet Show, where Jolley was sound technician and sometimes boom operator. [3] They formed the band Chaser in 1975 with Richard Palmer (rhythm guitar and percussion), Nick Adams (lead guitar), Ray Bailey (bass) and Brian Grant (drums).
After unlocking the secrets of DNA, the Nobel prize-winning biochemist traded in his centrifuge for a life of wine, women, and surf. [From Esquire, 1994.]
Body Talk is the debut album by British soul/dance group Imagination, produced by Steve Jolley and Tony Swain and released in October 1981. It is one of the earliest albums of its genre to have a distinctive 'British' sound as opposed to being an attempt to recreate contemporary American styles.