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Depending on the style of signal clipping, the broader category of distortion pedals is typically divided into fuzz pedals, distortion pedals, or overdrive pedals. Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier.
Bass effects are commonly available in stompbox-style pedals, which are metal or plastic boxes with a foot-operated pedal switch or button which turns the effect on and off. Most pedals also have knobs to control the tone, volume and effect level. Some bass effects are available in 19" rackmount units, which can be mounted in a road case. As ...
The Maestro FZ-1 contained a three germanium transistor circuit with RCA 2N270 devices, powered by two 1.5-volt batteries, and a lead cable to connect it to an instrument (bass as it was originally intended, or guitar). Germanium devices are temperature sensitive, and the effect responds to the incoming signal's amplitude (volume) consistently.
As of 2019, used Centaurs sold for between $1,900 and $2,500 USD. [5] According to Guitar.com, which named the Centaur one of the greatest effect pedals, "The Klon Centaur is either the greatest, most useful overdrive ever made, or the worst example of guitarists losing all sense of perspective about how much good tone should cost." [5]
Various type of guitar and bass effect pedals. An effects unit is also called an effect box, effects device, effects processor or simply an effect. The abbreviation F/X or FX is sometimes used. A pedal-style unit may be called a stomp box, stompbox, effects pedal or pedal.
The Gizmo, also called the Gizmotron, [1] is an effects device for the electric guitar and bass guitar.It was invented in 1969 [2] and patented by the English rock musicians Kevin Godley and Lol Creme in 1975, whilst they were members of the British rock group 10cc.
The pedal was housed in a large enclosure, typical for effects at the time, and featured two footswitches for on/off and to toggle between the unit's vibrato and chorus effects. The pedal worked in mono and stereo, and its "thick, spatial, and multidimensional" quality inspired numerous other companies to copy the pedal. [ 12 ]
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
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