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Nothing but a Heartache" is a Northern soul hit originally released on the Deram Records label in November 1968 by South Carolina trio The Flirtations. The song was produced by Wayne Bickerton and co-written by Bickerton and Tony Waddington , who were later responsible for the 1970s successes of The Rubettes .
"Nothing But a Heartache" rose to first place on the "Bubbling Under" list in December 1968 and gave the Flirtations a second Top 40 hit in the Netherlands, reaching No. 36 in early 1969. On the success of those singles in March 1969 they embarked on an 18 date tour of the UK with Stevie Wonder and The Foundations.
She appeared as the vocalist on Chicane's "Strong in Love" in 1998 (Chicane featuring Mason) and Freemasons' "Nothing but a Heartache" in 2007. She has also released a solo single, a cover version of the Diana Ross song "Touch Me in the Morning". [citation needed]
Their fourth single (released digitally), "Nothing but a Heartache" featuring vocals from Sylvia Mason-James, was released in June 2007. Freemasons also remixed Beyoncé's original song, "Déjà Vu" in 2006 (for which they were nominated for a Grammy Award).
It was released on 21 January 2007, with the single "Rain Down Love" being released two weeks earlier in anticipation of the album. "Nothing But a Heartache", a cover of the original single by the Flirtations, was released as a digital download single on iTunes on 18 June 2007.
As Nick the Lounge Singer, crooning awkward renditions of pop songs in questionable venues, Murray exuded a smirking charm that only he could pull off. Murray wasn’t flashy, but that’s what ...
Melody Road is the 32nd studio album by American singer-songwriter Neil Diamond, ... "Nothing But a Heartache" 4:33: 6. "In Better Days" 3:30: 7. "(Ooo) Do I Wanna Be ...
Wayne Bickerton (born Arthur Ronald Bickerton; [1] 11 July 1941 – 29 November 2015) was a British record producer, songwriter and music business executive. He became well known, with Tony Waddington, as writer and producer of a series of UK chart hits in the 1970s for The Rubettes, and as a leading figure in SESAC – one of the three major American performing rights organisations.