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Etymology: Hindi + Urdu + Punjabi + Persian नान/نان/ ਨਾਨ/نان nan bread; Hindi + Urdu nan, from Persian nan; akin to Baluchi nayan bread, Sogdian nyny. a round or oblong flat leavened bread especially of the Indian subcontinent. [232] Nakhuda
In this work, readers will find the inclusion of the original Arabic text of Sahih al-Bukhārī, coupled with a literal Urdu translation thoughtfully designed to make the contents more accessible to a diverse readership. The compiler's methodology transcends the confines of Anwar Shah Kashmiri's guidance and insights.
Shahmukhi (Shahmukhi: شاہ مُکھی, pronounced [ʃäː(ɦ)˦.mʊ.kʰiː], lit. ' from the Shah's or king's mouth ', Gurmukhi: ਸ਼ਾਹਮੁਖੀ) is the right-to-left abjad-based script developed from the Perso-Arabic alphabet used for the Punjabi language varieties, predominantly in Punjab, Pakistan.
Bulleh Shah gave an entirely different color to the qawwali, adding verses in praises of Shahbaz Qalandar and giving it a large tint of Sindhi culture. It also venerates Ali, the cousin and son-in-law of Muhammad. Contrary to popular legend, renowned Pakistani composer Ashiq Hussain only composed a dhamaal version of it.
A checkmate may occur in as few as two moves on one side with all of the pieces still on the board (as in fool's mate, in the opening phase of the game), in a middlegame position (as in the 1956 game called the Game of the Century between Donald Byrne and Bobby Fischer), [3] or after many moves with as few as three pieces in an endgame position.
Shah N'imatullah Wali left a Persian language diwan. [6] A famous ode attributed to Shah Ni'matullah Wali, with the rhyme Mey Beenum, has been published by Shah Ismail Dehlvi in his book Al-Arba'in fi Ahwal-al-Mahdiyin (1851) [7] It was also published by other authors, notably Maulavi Firaws al Din (d. 1949) in his book Qasida Zahoor Mahdi published in the 20th Century, who translated it into ...
Mirzā Mazhar Jān-i Jānān (Urdu: مرزا مظہر جانِ جاناں), also known by his laqab Shamsuddīn Habībullāh (13 March 1699 – 6 January 1781), was a renowned Hanafi Maturidi Naqshbandī Sufi poet of Delhi, distinguished as one of the "four pillars of Urdu poetry."
The Shahr Ashob (Persian: شهر آشوب; literary written as Shahr-e-Ashob (lit. 'The city's misfortune' [1]), sometimes spelled Shahar-i-Ashob, is an ancient Urdu poetic genre in South Asia with its roots in lamented classical Urdu poetry.