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Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...
The decor became more and more elaborate, fanciful and exotic, particularly in the work of another influential designer, Jean Bérain the Elder. Another popular decoration on furniture was bronze ornament, sculpted and gilded. Reliefs of gilded bronze covered the faces of the pieces of furniture, decorating the keyholes and the angles.
Their focus products included bed frames, chiffoniers, and bedroom furniture of various kinds made of oak, ash, birch and maple. [1] They also manufactured mirrors, nightstands, wardrobes, and other bedroom furniture. In 1906, pieces were designed in the styles of American Empire style, French design, and the Colonial Revival Movement.
By 1932 nearly one in three homes in America had French Provincial design elements.The style fell out of favor in the 1930s, [6] but had a resurgence in the 1960s. [1] In the United States architect Frank J. Forster promoted the style. He was recognized by his peers as a master of French provincial architecture in 1927, 1928, and 1929. [6]
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The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
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