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The Banjaranama (بنجارانامہ, बंजारानामा, Chronicle of the Nomad) is a satirical Urdu poem, written by the eighteenth-century Indian poet Nazeer Akbarabadi. [1] The poem's essential message is that pride in worldly success is foolish, because human circumstances can change in a flash, material wealth and splendor is ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Firefighters are exposed to risks of fire and building collapse during their work.. In simple terms, risk is the possibility of something bad happening. [1] Risk involves uncertainty about the effects/implications of an activity with respect to something that humans value (such as health, well-being, wealth, property or the environment), often focusing on negative, undesirable consequences. [2]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
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Alternatively, the connotation of the word may be thought of as the set of all its possible referents (as opposed to merely the actual ones). A word's denotation is the collection of things it refers to; its connotation is what it implies about the things it is used to refer to (a second level of meanings is termed connotative). The connotation ...
In addition to his contributions to Urdu literature, Faruqi is credited with the revival of the Dastangoi, a 16th-century Urdu oral storytelling art form. [ 14 ] [ 7 ] The art form reached its zenith in the Indian sub-continent in the 19th century and is said to have died with the death of Mir Baqar Ali in 1928.