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Rank Title Gross 1 Detective Conan: The Million-dollar Pentagram: ¥15.80 billion (US$100.7 million) : 2 Haikyu!! The Dumpster Battle: ¥11.64 billion (US$74.2 million) : 3 Kingdom 4: Return of the Great General
The following is a list of 2024 box office number-one films in Japan by week. When the number-one film in gross is not the same as the number-one film in admissions, both are listed. When the number-one film in gross is not the same as the number-one film in admissions, both are listed.
Pages in category "2024 in Japanese cinema" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. 0–9.
Silent Love (サイレントラブ, Sairento Rabu) is a 2024 Japanese film directed by Eiji Uchida . The film stars Ryosuke Yamada and Minami Hamabe as a mute man and blind woman who grow close despite their disparate backgrounds. The film was released in Japan on January 26, 2024.
Happyend is a 2024 Japanese-American drama film, written and directed by Neo Sora.It stars Kurihara Hayato, Hidaka Yukito, Ayumu Nakajima, Makiko Watanabe and Shirō Sano. It had its world premiere at the 81st Venice International Film Festival on September 2, 2024, in the Orizzonti section, and was released in Japan on October 4, 2024, by Bitters End.
Cloud (クラウド, Kuraudo) is a 2024 Japanese psychological thriller film written and directed by Kiyoshi Kurosawa, starring Masaki Suda. [1]The film premiered out of competition at the 81st Venice International Film Festival, on 30 August 2024. [2]
The Box Man (Japanese: 箱男) is a 2024 Japanese drama film directed by Gakuryū Ishii.The film is adaptation of 1973 eponymous novel by Japanese author Kōbō Abe.It is surreal story in which a cardboard box becomes the perfect shell for men who want to withdraw from society, and gaze without being seen.
Japanese fan practices in the mid to late 2000s included the concept of the feeling of moe, which was typically used by male otaku about young female characters prior to this. [42] Robin Brenner and Snow Wildsmith noted in their survey of American fans that gay and bisexual male fans of yaoi preferred more realistic tales than female fans did. [43]