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On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consists of a key note, whole step, half step, whole step, whole step, half step, whole step, whole step.
For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used.
This pattern of whole and half steps characterizes the natural minor scales. The intervals between the notes of a natural minor scale follow the sequence below: whole, half, whole, whole, half, whole, whole. where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line in the ...
Instead, the half step was avoided in clausulae because it lacked clarity as an interval." [13] Dramatic chromatic scale in the opening measures of Luca Marenzio's Solo e pensoso, ca. 1580. However, beginning in the 13th century cadences begin to require motion in one voice by half step and the other a whole step in contrary motion. [13]
where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line in the figure). [2] Whole steps and half steps are explained mathematically in a related article, Twelfth root of two. Notably, an equal-tempered octave has twelve half steps (semitones) spaced equally in terms of the ...
In music theory a diatonic scale is a heptatonic (seven-note) scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps. In other words, the half steps are maximally separated from each other.
Accidental symbols visually communicate a modification of a note's pitch from its tonal context. Most commonly, [note 2] the sharp symbol (♯) raises a note by a half step, while the flat symbol (♭) lowers a note by a half step. This half step interval is also known as a semitone (which has an equal temperament frequency ratio of 12 √ 2 ≅
The two modes are sometimes referred to as the half-step/whole step diminished scale and the whole step/half-step diminished scale. [10] Because it was associated in the early 20th century with the Dutch composer Willem Pijper, in the Netherlands it is called the Pijper scale. [11]
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