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The music video for the original version of the single was released on May 13, with comedian Mike Epps making a cameo appearance. [57] The same day, an extended version of the music video was released. It featured a cameo from Juicy J, and a bonus clip of a new song by Schoolboy Q from his own respective major label debut album, Oxymoron (2014 ...
The American online music publication Pitchfork has awarded a perfect score of 10 to more than 50 albums. Most of the scores were given in retrospective reviews of classic albums or reissues . [ 1 ] Artists who have received perfect scores on release include Radiohead , Fiona Apple , Kanye West , Bonnie "Prince" Billy , And You Will Know Us by ...
"m.A.A.d city" is a song by American rapper Kendrick Lamar, from his second studio album Good Kid, M.A.A.D City (2012). The song, which appears as the eighth track on the album, features a guest appearance from fellow Compton native and West Coast rapper MC Eiht.
Pitchfork described the song as a "stunning 12-minute denouement in which Lamar delivers a verse from a peripheral character that is the album's most dazzling stroke of empathy." [ 3 ] In a review of Lamar's fourth studio album Damn , Teddy Craven of The Daily Campus compared "Sing About Me" to " Duckworth ", saying both songs are "the high ...
The song received generally positive reviews from music critics. In a review of Good Kid, M.A.A.D City, XXL praises the song for its lyrics and usage of skits, saying, "Every record is both complexly arranged and sonically fitting, foregrounding Kendrick's vivid lyricism and amazing control of cadence. There’s not a single loophole.
The music video for "Bitch, Don't Kill My Vibe", directed by The Lil Homie and OG Mike Mihail, was released on May 13, 2013. [7] The same day, the director's cut of the video was released, featuring cameo appearances from Juicy J and Jay Rock and a bonus clip of a song by Schoolboy Q, titled "Man of the Year". [7]
By 2021, Pitchfork had published more than 28,000 reviews. [5] Pitchfork reviews do not represent an editorial consensus but the opinion of the individual reviewer. [51] Writers who did not want to use their names, or failed to include bylines with their submissions, were credited as Ray Suzuki, similarly to the filmmaker pseudonym Alan Smithee ...
The song has been well received by fans and critics alike. Carrie Battan of Pitchfork summarized the song as an "anthemic Californian pride cut". [4] Nick Catucci of Rolling Stone jokingly wrote "You might get a contact high from this" and went on to write "Lamar’s wafting number has rolling boulders for a beat, lines about sunlight slanting through shades and Dre explaining, 'How many ways ...