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The title poem has been cited by cultural and political figures in the years since its publication. The reasons for the work being cited vary. From the poem being critically and universally praised, [23] [21] to it becoming one of the most famous poems to be written about Kashmir, it was a poem that connected to the land and the people of the ...
Peerzada Ghulam Ahmad (August 1885 − 9 April 1952), known by his pen name as Mahjoor, was a poet of the Kashmir Valley. [2] [3] [4] He is especially noted for introducing a new style into Kashmiri poetry and for expanding Kashmiri poetry into previously unexplored thematic realms. [5] Mahjoor is recognized as father of Kashmiri language.
Abdur Rehman Rahi (Kashmiri: رَحمان راہی; 6 May 1925 – 9 January 2023) was an Kashmiri poet, translator and critic. He was awarded the Indian Sahitya Akademi Award in 1961 for his poetry collection Nawroz-i-Saba, the Padma Shri in 2000, [1] and India's highest literary award, the Jnanpith Award (for the year 2004) in 2007.
Literature of Kashmir has a long history, the oldest texts having been composed in the Sanskrit language. Early names include Patanjali, the author of the Mahābhāṣya commentary on Pāṇini's grammar, suggested by some to have been the same to write the Hindu treatise known as the Yogasutra, and Dridhbala, who revised the Charaka Samhita of Ayurveda.
Zinda Kaul was also known as MasterJi [2] by his students and friends.. Kaul was born in August 1884 in Habbakadal, a town in Srinagar into a Kashmiri Pandit family. His father, Lakshman Pandit, was indifferent to his formal education and Kaul had to face many difficulties in his life.
Lalleshwari, (c. 1320–1392) also commonly known as Lal Ded (Kashmiri pronunciation: [laːl dʲad]), was a Kashmiri mystic of the Kashmir Shaivism school of Hindu philosophy. [1] [2] She was the creator of the style of mystic poetry called vatsun or Vakhs, meaning "speech" (from Sanskrit vāc).
Rasul Mir (Kashmiri: رَسوٗل میٖر) also known as Rasul Mir Shahabadi, was a Kashmiri romantic poet born in Doru Shahabad.He is often referred to as imām-e-ishqiya shairi' (The epitome of romantic poetry) for his literary contribution to Kashmiri romanticism.
Canto 12 of the poem records the entry of the Kashmiri poet Jayanaka in Prithviraja's court; In Canto 1, Prithviraja is expected to listen to the poem. This indicates that the poem was composed by one of his court-poets. The author appears to have been a Kashmiri Pandit: The poetic style closely resembles that of the 11th century Kashmiri poet ...