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Several rulers of the dynasty bear the name or title "Satakarni". Satavahana, Satakarni, Satakani and Shalivahana appear to be variations of the same word. Damodar Dharmanand Kosambi theorised that the word "Satakarni" is derived from the Munda words sada ("horse") and kon ("son"). [12] The Puranas use the name "Andhra" for the Satavahanas.
The smooth and polished beds were carved during the rule of Satavahana dynasty. [3] A total of five inscription are found [4] with one of the inscriptions dating back to 8th century. [5] The Jain carvings were created during the reign of Ganga King Rachamalla II in c. 870 CE after conquest of this region from Chola kings.
Simuka is mentioned as the first king in a list of royals in a Satavahana inscription at Naneghat. [4] The various Puranas have different names for the founder of the Andhra dynasty: Shishuka in Matsya Purana, Sipraka in Vishnu Purana, Sindhuka in Vayu Purana, Chhesmaka in Brahmanda Purana, and Shudraka or Suraka in Kumarika Khanda of Skanda Purana. [11]
The inscription is a reliable historical record, providing a name and floruit to the Satavahana dynasty. [12] [32] [11] 1911 sketch of numerals history in ancient India, with the Naneghat inscription shapes. The Naneghat inscriptions have been important to the study of history of numerals. [9]
Name and date inscribed by John Smith after he found Cave 10 in 1819. Within a few decades, the caves became famous for their exotic setting, impressive architecture, and above all their exceptional and unique paintings. A number of large projects to copy the paintings were made in the century after rediscovery.
The Satavahana dynasty ruled much of the Deccan and sometimes other areas, including Maharashtra, between about the 2nd-century BCE and 2nd century CE. They were a Hindu dynasty, who made many generous donations to Buddhist monks ; some queens may have been Buddhist.
During the Satavahana period, the Amaravati School of art made a deep impact on the sculptural and architectural forms of Kanaganahalli region. This was indeed a period of great artistic efflorescence that gave the Maha chaitya here the most impressive form unsurpassed in the history of stupa architecture in the south India.
It was built by King Narasimhadeva I (1238–1264 CE). During their reign (1078–1434 CE) a new style of temple architecture came into being, commonly called as Indo-Aryan architecture. This dynasty was founded by King Anantavarma Chodaganga Deva (1078–1147 CE). He was a religious person and a patron of art and literature.