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German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts.
In his review of the film, Schwartz wrote, "a landmark of early German expressionism. It is through the striking black-and-white German expressionism photography of Karl Freund that the film displayed its unusual feel for the macabre and might be considered a precursor to the Frankenstein horror films and how horror films were to be made from ...
Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Algol (film)
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
This period, between the end of World War I and the advent of the Nazi regime, is considered an early renaissance in world cinema, with many influential and important films being made. The style of many of these films is called German Expressionism. For an alphabetical list of articles on Weimar German films see Category:Films of the Weimar ...
Fritz Lang, director of important German expressionist films like M from 1931, an indispensable influence on modern crime and thriller fiction [26] [27] [28] The arrival of sound at the very end of the 1920s, produced a final artistic flourish of German film before the collapse of the Weimar Republic in 1933.
German expressionism surfaced as a German art movement in the early 20th century. The focus of this movement was at the inner ideas and feelings of the artists over the replication of facts. Some of the characteristic features of German expressionism were bright colours and simplified shapes, brushstrokes and gestural marks.
This is a list of movements in cinema. Throughout the history of cinema, groups of filmmakers, critics, and/or theorists formed ideas about how films could be made, and the theories they generated, along with the films produced according to those theories, are called movements.