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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
Chamber music; Chart hit; Chops (embouchure) Choral symphony; Chord progression; Chording; Chordioid; Clarion (instrument) Close and open harmony; Coda (music) Composer; Composer tributes (classical music) Concert aria; Conclusion (music) Conducting; Contrafact; Contralto; Copedent; Count off; Countertenor; Cover band; Cross-beat
vocal score or piano-vocal score. A music score of a musical theater show or a vocal or choral composition where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano. voicing. The choice of, and order of notes in the playing of a chord, which creates a different sound.
In this framework, Clifton finds that there are two things that separate music from non-music: (1) musical meaning is presentative, and (2) music and non-music are distinguished in the idea of personal involvement. "It is the notion of personal involvement which lends significance to the word ordered in this definition of music". [30]
These typically were enhanced with expanded and updated material and included individual and grouped composer biographies, [6] a four-volume dictionary of American music (1984; revised 2013, 8 vols.), [7] a three-volume dictionary of musical instruments (1984), [8] a four-volume dictionary of opera (1992), [9] and a volume on women composers ...