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Ouro Preto (Portuguese pronunciation: [ˈo(w)ɾu ˈpɾetu], lit. ' Black Gold ' ), formerly Vila Rica ( Portuguese pronunciation: [ˈvilɐ ˈʁikɐ] , lit. ' Rich Village ' ), is a Brazilian municipality located in the state of Minas Gerais .
The gold rush opened up the major gold-producing area of Ouro Preto (Portuguese for black gold), then known as Vila Rica. [1] Eventually, the Brazilian Gold Rush created the world's longest gold rush period and the largest gold mines in South America. The rush began when bandeirantes discovered large gold deposits in the mountains of Minas ...
Ouro Preto is a United Nations Educational, Scientific, and Cultural Organization World Heritage Site and cited as an example of baroque architecture. [ 10 ] [ 11 ] This well-preserved colonial Portuguese architecture, including that of the Church of St. Francis of Assisi and the artwork inside of the church, are examples of the baroque revival ...
Ouro Preto's urban complex The capital of Minas Gerais until 1897, Ouro Preto was the first Brazilian city to be considered a World Heritage Site . Its historic center is famous for its colonial architecture, including the Church of Saint Francis of Assisi , Aleijadinho 's masterpiece.
The Minor Basilica of Our Lady of the Pillar (Brazilian Portuguese: Basílica Menor Nossa Senhora do Pilar) in Ouro Preto, Minas Gerais, popularly called the Our Lady of the Pillar Mother Church (Brazilian Portuguese: Igreja Matriz Nossa Senhora do Pilar), is one of the best known Catholic buildings among those erected during the Brazilian Gold Rush. [1]
Area view of the Church of Our Lady of Mount Carmel and surroundings. Side view. The building's project was the last to be done by Manuel Francisco Lisboa, but later the layout would be changed several times, and it is speculated that Aleijadinho, the designer's son, may have participated in these modifications, which gave the original plan typical Rococo features.
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Although there is a great distance between the heavy proportions and dismal composition of São Pedro in Rio de Janeiro and the harmonious maturity of Nossa Senhora do Rosário in Ouro Preto, stylistically these two churches, along with São Pedro dos Clérigos in Mariana, constitute an isolated Baroque episode in the history of architecture in ...