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The Spanish royal collection was accumulated by Spanish monarchs beginning with Isabel the Catholic, Queen of Castile (1451–1504), who accumulated large and impressive collections of objets d'art, 370 tapestries, and 350 paintings, a number by important artists including Rogier van der Weyden, Hans Memling, Hieronymus Bosch, Juan de Flandes ...
This is a list of notable Spanish artists born after 1800. For artists born before this year, see List of Spanish artists (born 1300–1500) and List of Spanish artists (born 1500–1800) This is a dynamic list and may never be able to satisfy particular standards for completeness.
The art historian Svetlana Alpers suggests that, by portraying the artist at work in the company of royalty and nobility, Velázquez was claiming high status for both the artist and his art, [65] and in particular to propose that painting is a liberal rather than a mechanical art. This distinction was a point of controversy at the time.
Examples of the impact of Flemish painting on the Spanish still life can be found in the flower paintings by Juan de Arellano and the Vanitas by Antonio de Pereda and Valdés Leal. Jusepe de Ribera's The Clubfoot, a typical raw portrayal of human weakness by Spanish artists; 1642, oil on canvas, 164 × 92 cm, Louvre.
Francisco José de Goya y Lucientes (/ ˈ ɡ ɔɪ ə /; Spanish: [f ɾ a n ˈ θ i s k o x o ˈ s e ð e ˈ ɣ o ʝ a i l u ˈ θ j e n t e s]; 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. [1]
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