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Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. The effects of the First World War and an interest in baroque composers Couperin and Rameau inspired Debussy as he was writing the sonatas.
Musique de Chambre No. 1 (clarinet, violin, viola, cello, piano) Felix Mendelssohn. The Evening Bell in B flat for harp and piano MWV Q 20 (1829) Fabio Mengozzi. Phoenix (violin and harp) Ousia (harp and piano) Ousia II (flute, cello, harp, piano) Auriga (harp and piano) Sergiu Natra. Music For Violin and Harp
Seven violin sonatas: No. 1 in D minor (1907), No. 2 in E major (1917), No. 3 in A major (1927) [18] Nikolai Roslavets. Violin Sonatas 1–6 (3 and 5 lost) Albert Roussel. Violin Sonata No. 1 in D minor, Op. 11; Violin Sonata No. 2 in A major, Op. 28; Edmund Rubbra. Violin Sonata No. 1, Op. 11 (1925) Violin Sonata No. 2, Op. 31 (1931) Violin ...
It was presented as part of a Verdi Festival by the San Diego Opera in 1982 with Rosalind Plowright and June Anderson, [11] and in 2004 by the Sarasota Opera as part of its "Verdi Cycle". The Teatro Regio di Parma presented it in 2008 as part of their "Festival Verdi", [ 12 ] while another company which aims to present all of the composer's ...
Giuseppe Verdi. Verdi had read the ultra-Romantic play in April 1844, probably introduced to it by his friend Andrea Maffei who had written a synopsis. [2] A letter to Francesco Maria Piave (with whom he had worked on both Ernani and I due Foscari) had included the subject of Attila as opera number 10 on a list of nine other possible projects, [3] and in that same letter, he encouraged Piave ...
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An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
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