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Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
Capriccio Concertante for clarinet, string quartet, bass, and harp (2017) Julian Cochran. Artemis for violin, cor anglais and harp; Gilad Cohen. Trio for a Spry Clarinet, Weeping Cello and Ruminating Harp (2010) [15] Firefly Elegy for clarinet, violin, viola, cello, and harp (2017) [16] Francois Couture. La suite foraine for Flute, viola and ...
From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. The effects of the First World War and an interest in baroque composers Couperin and Rameau inspired Debussy as he was writing the sonatas.
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113
It was presented as part of a Verdi Festival by the San Diego Opera in 1982 with Rosalind Plowright and June Anderson, [11] and in 2004 by the Sarasota Opera as part of its "Verdi Cycle". The Teatro Regio di Parma presented it in 2008 as part of their "Festival Verdi", [ 12 ] while another company which aims to present all of the composer's ...
Finale) (version of Concerto No.2, for double bass and strings) Concerto a Due Contrabbassi No.1 ( Gran Duo Concertante ) for 2 double basses and orchestra/piano (original version, 1844) Gran Duo Concertante for violin, double bass and orchestra/piano (1846) (arranged by Bottesini for Violin + Double bass and later updated for its publication)
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Verdi in 1859. While it was not Verdi's first grand opera for Paris (the first being his adaptation of I Lombardi in 1847 under the new title of Jerusalem), the libretto which Verdi was using had been written about 20 years before at the height of the French grand opera tradition, which "meant that Verdi was writing his first (original) opéra at a point at which the genre was in a state of flux".
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