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"Chanson d'automne" ("Autumn Song") is a poem by Paul Verlaine (1844–1896), one of the best known in the French language. It is included in Verlaine's first collection, Poèmes saturniens , published in 1866 (see 1866 in poetry ).
Pour invoquer Pan, dieu du vent d'été ("To invoke Pan, god of the summer wind") Pour un tombeau sans nom ("For a nameless tomb") Pour que la nuit soit propice ("In order that the night be propitious") Pour la danseuse aux crotales ("For the dancer with crotales") Pour l'égyptienne ("For the Egyptian woman")
His next book, Les Moines (1886), was not the success he had hoped for. This, and his health problems, led to a deep crisis. This, and his health problems, led to a deep crisis. In this period he published Les Soirs (1888), Les Débâcles (1888) and Les Flambeaux noirs (1891), all with Edmond Deman , who became his usual publisher.
Gubernikoff, Carole. 2000. "Stravinsky: Symphonies d'instruments à vent". In Anais do I Seminário Nacional de Pesquisa em Performance Musical. I, edited by André Cavazotti and Fausto Borém. [Brazil]: Multimídia. (CD-ROM publication.) Hascher, Xavier. 2003. "De l'harmonie au timbre, vers une harmonie de timbres: L'exemple de Stravinsky".
Ce qu'a vu le vent d'ouest is one of three undated preludes in Book I by Claude Debussy (pictured). Ce qu'a vu le vent d'ouest ("What the west wind saw") is a musical composition by French composer Claude Debussy. It is the seventh piece in the composer's first book of Préludes, written between late 1909 and early 1910.
Il est au sommet d'un chêne et toutefois il a peur de se noyer." ("The nightingale, from a high branch, sees himself reflected below, and believes he has fallen into the river. He is at the top of an oak tree, and, nevertheless, fears he will be drowned.") [ 5 ]
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Gounod had composed two symphonies for full orchestra in the 1850s but had since then generally concentrated on opera, songs, and religious music. [1] At the request of a Parisian wind ensemble, the Société de musique de chambre pour instruments à vent [], led by the flautist Paul Taffanel, he wrote a nonet for flute and pairs of oboes, clarinets, horns and bassoons.