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After this, Calder created complete pieces only using wire and in 1927 had a show of wire sculptures at the Weyhe Gallery in New York City. In 1930, he had a solo show of wire sculptures in Paris, at Galerie Billiet. Calder’s wire sculptures of this period tended to be portraits, caricatures, and stylized representations of people and animals.
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Portrait of Alexander Calder: UNITED STATES OF AMERICA – 1983 – ALEXANDER CALDER: Mobile: AMERICAN ARTS COMMEMORATIVE SERIES – ONE HALF OUNCE GOLD: Michael Iacocca 410,000 75,571 1984 1 troy ounce (31 g) Portrait of Helen Hayes: UNITED STATES OF AMERICA – 1984 – HELEN HAYES: Masks of comedy and drama surrounded by ribbon
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Spinal Column is a 1968 sculpture by Alexander Calder. [1] It was commissioned for the San Diego Museum of Art in 1968 and was displayed in the May S. Marcy Sculpture Garden before being installed outside the museum. [2] [3] The work measures 118 in. x 100 in. x 90 in. [4]
Cheval Rouge is an abstract sculpture by Alexander Calder. [1] Constructed in 1974 of painted sheet steel, it is at the National Gallery of Art Sculpture Garden. [2] [3]