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Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Portrait of Alexander Calder: UNITED STATES OF AMERICA – 1983 – ALEXANDER CALDER: Mobile: AMERICAN ARTS COMMEMORATIVE SERIES – ONE HALF OUNCE GOLD: Michael Iacocca 410,000 75,571 1984 1 troy ounce (31 g) Portrait of Helen Hayes: UNITED STATES OF AMERICA – 1984 – HELEN HAYES: Masks of comedy and drama surrounded by ribbon
After this, Calder created complete pieces only using wire and in 1927 had a show of wire sculptures at the Weyhe Gallery in New York City. In 1930, he had a solo show of wire sculptures in Paris, at Galerie Billiet. Calder’s wire sculptures of this period tended to be portraits, caricatures, and stylized representations of people and animals.
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In a 2018 Antiques Roadshow special, the original appraiser acknowledged changes in the market for works by Rivera, and updated the appraisal to a value of $1.2 million to $2.2 million. [ 22 ] On July 23, 2011, a collection of Chinese cups carved from rhinoceros horns, believed to date from the late 17th or early 18th century, was valued at $1 ...
Flamingo weighs 50 tons, is composed of steel, and is vermilion in color. Calder gave the stabile its color, which has come to be called "Calder red", [5] to offset it from the black and steel surroundings of nearby office buildings, including the Ludwig Mies van der Rohe-designed Kluczynski Federal Building.
Spinal Column is a 1968 sculpture by Alexander Calder. [1] It was commissioned for the San Diego Museum of Art in 1968 and was displayed in the May S. Marcy Sculpture Garden before being installed outside the museum. [2] [3] The work measures 118 in. x 100 in. x 90 in. [4]
Cirque Calder is an artistic rendering of a circus created by the American artist Alexander Calder. It involves wire models rigged to perform the various functions of the circus performers they represent, from contortionists to sword eaters to lion tamers. The models are composed of diverse materials, most notably wire and wood.