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The Old English phoneme /f/ descended in some cases from Proto-Germanic *f, which became [v] between voiced sounds as described above. But /f/ also had another source. In the middle or at the end of words, Old English /f/ was often derived from Proto-Germanic * [β] (also written *ƀ), a fricative allophone of the phoneme *b.
The relatively recent history of Italy includes the development of an opera tradition that has spread throughout the world; prior to the development of Italian identity or a unified Italian state, the Italian peninsula contributed to important innovations in music including the development of musical notation and Gregorian chant.
Forms in italics denote either Old English words as they appear in spelling or reconstructed forms of various sorts. Where phonemic ambiguity occurs in Old English spelling, extra diacritics are used (ċ, ġ, ā, ǣ, ē, ī, ō, ū, ȳ). Forms between /slashes/ or [brackets] indicate, respectively, broad or narrow pronunciation
Italian opera forsakes the Comic opera for the more serious fare of Italian lyric Romanticism. Although the generally light-hearted and ever-popular Rossini was certainly an exception to that, Italian music of the 19th century is dominated at the beginning by the likes of Bellini and Donizetti , giving to Italian music the lyrical melodies that ...
In Italian phonemic distinction between long and short vowels is rare and limited to a few words and one morphological class, namely the pair composed by the first and third person of the historic past in verbs of the third conjugation—compare sentii (/senˈtiː/, "I felt/heard'), and sentì (/senˈti/, "he felt/heard").
Although the Old English diphthongs merged into monophthongs, Middle English began to develop a new set of diphthongs.Many of these came about through vocalization of the palatal approximant /j/ (usually from an earlier /ʝ/) or the labio-velar approximant /w/ (sometimes from an earlier voiced velar fricative [ɣ]), when they followed a vowel.
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first commonly used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public.
According to the Oxford English Dictionary, the Italian word was first used in the sense "composition in which poetry, dance, and music are combined" in 1639; the first recorded English usage in this sense dates to 1648. [6] Dafne by Jacopo Peri was the earliest composition considered opera, as understood today.