Search results
Results from the WOW.Com Content Network
Independent, unique sound library with royalty free & free sound effects - for video, sound design, music productions and more. CC0, CC BY Gfx Sounds: Yes Yes Sound library for professional and free sound effects downloads. CC0, CC BY Free To Use Sounds: Yes Yes Sound effects library with hiqh quality field recordings from all around the world.
Upsweep is an unidentified sound detected on the American NOAA's equatorial autonomous hydrophone arrays. This sound was present when the Pacific Marine Environmental Laboratory began recording its sound surveillance system, SOSUS, in August 1991. It consists of a long train of narrow-band upsweeping sounds of several seconds in duration each.
Chilling, Thrilling Sounds of the Haunted House is an LP album intended for "older children, teenagers, and adults", [1] released by Disneyland Records (now known as Walt Disney Records). The album was mainly composed of sound effects that had been collected by the sound effects department of Walt Disney Studios.
He used "friction mallets" which were like Super Balls being rubbed with specific objects, to create creepy "friction sounds" for The Grabber, and used numerous strings which were unconventionally played. He also used the apprehension engine for developing the specific friction sounds. The other characters were of minor focus, except for Gwen's ...
The Rorschach Audio Project, initiated by sound artist Joe Banks, [43] [44] [64] [65] which presents EVP as a product of radio interference combined with auditory pareidolia and the Interdisciplinary Laboratory for Biopsychocybernetics Research, a non-profit organization dedicated to studying anomalous phenomena related to neurophysiological ...
Sound Effects No. 13 – Death & Horror is an album produced by Mike Harding of the BBC Radiophonic Workshop and released in 1977 by BBC Records & Tapes.It is the thirteenth instalment in the label's Sound Effects series and contains over 80 sound effects related to horror and death, so that producers may use them in amateur film and stage productions.
As for what kind of money Soto could bring in, The Athletic reports he has offers of at least $600 million from all of his remaining contenders. The teams currently known to be in on him are still ...
Joseph Bishara returned from the predecessor to contribute music for the film, which was recorded at the Sony Scoring Stage in Sony Pictures Studios, Culver City, California and Sunset Sound Recorders in Hollywood, Los Angeles. [2] The soundtrack was released by WaterTower Music on September 30, 2014. [3]