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More recently (2003), Mothibe, in a further contribution towards the cause of preservation, compiled and donated a second edition on litema designs entitled Basotho Litema Patterns (With Modifications) to the School of Design Technology and Visual Art of the Central University of Technology, Free State, providing an updated record of designs ...
The techniques create illusionistic designs similar to op art patterns and were popular by the late 19th century, [4] when the United States colonized the Philippines and American museums collected many traditional Philippine textiles. Ilocos Sur weaver . Binakael patterns may use a two-block rep weave, making them double-sided, but with colour ...
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
In western Islamic art, under the Nasrid and Marinid dynasties, a great variety of geometric patterns were created for architectural decoration. Among the most common was a pattern employing six-pointed and twelve-pointed star compositions, with eight-pointed stars inserted between them.
Obid-obid or tiali-tali - rope-like designs that are usually used for borders; Pako rabong - a motif of a fern growing vertically, with a central point from which the design radiates outwards; Female. Binotoon - star patterns; Pinagapat - four-sided designs in a series; Pinatola - a pattern of squares of different colors; Saragonting - a cross
a pattern using only part of the dot grid. If that is the case, the same pattern or a different pattern fills/uses up the remaining dot grids. Most of the times, these patterns together end up becoming a complex pattern. [citation needed] a pattern in which a stroke runs around each dot incompletely, but open.
The motifs and designs in alpanas are usually created in a free-hand style, without the use of stencils or patterns. In the region of Bengal, it is common to use floral motifs, as well as figurative symbols representing specific gods. [3] Modern alpanas may use materials including glue, vermilion, and dyes for more durable designs. [10] [9]
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