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"Sailing" was sampled on "Bagsy Not in Net" by the 1975 from their album Notes on a Conditional Form. [14] The song was sampled on Puff Daddy's song "Best Friend" from his 1999 album Forever. The song was sampled on Krayzie Bone's song "Paradise" released in 2008. The song can be partially heard in the 2022 Michael Bay movie Ambulance. [15]
"Sail Away" Stu Cook † Mardi Gras: 1972 [8] "Sailor's Lament" John Fogerty Pendulum: 1970 [5] "Side o' the Road" John Fogerty Willy and the Poor Boys: 1969 [7] "Sinister Purpose" John Fogerty Green River: 1969 [2] "Someday Never Comes" John Fogerty Mardi Gras: 1972 [8] "Suzie Q" Dale Hawkins Robert Chaisson Stan Lewis Eleanor Broadwater †
"Come Sail Away" is a song by American pop-rock group Styx, written and sung by singer and songwriter Dennis DeYoung and featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, "Come Sail Away" peaked at #8 in January 1978 on the Billboard Hot 100 , and helped The Grand Illusion ...
While the song is conceptually similar to the many charity supergroup singles released in the mid 1980s, "Sailing Away" has its origins as a television advertisement and was not a charity record. [1] The song uses the melody of the Māori folk song "Pokarekare Ana", and is bookended with a verse of the original song. [2]
Life, Love & Hope follows up the band's 2002 release, Corporate America. Tom Scholz produced Life, Love & Hope and wrote all of the tracks. Kimberley Dahme makes a vocal performance on several songs as well as Brad Delp (who performs on the new song "Sail Away" as well as rearranged songs from Corporate America). [3]
This is a comprehensive list of songs written or performed by pop duo the Carpenters, featuring Karen and Richard Carpenter. This list includes official studio albums, live albums, solo albums, and notable compilations that feature rare or unreleased material.
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Sail away Raymond, sail away. [32] While recognising "cheerfulness" as the song's prevailing emotion, author Ian Inglis writes that Harrison's instruction to Raymond is "perfectly apt, given the song's likeness to a traditional sea shanty". [29] The composition ends with multiple vocal parts, staggering the chorus lines. [21]