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The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Motifs may also be used to establish mood (as the blood motif in Shakespeare's Macbeth), for foreshadowing (as when Mary Shelley, in Frankenstein, mentions the moon almost every time the creature is about to appear), to support the theme (as when, in Sophocles' drama Oedipus Rex, the motif of prophecy strengthens the theme of the ...
[27] In addition to the previous interpretations, Karen Lynnea Piper argues in her article, "Inuit Diasporas: Frankenstein and the Inuit in England" that the symbolism surrounding Frankenstein's monster could stem from the Inuit of the Arctic. Piper argues that the monster accounts for the "missing presence" of any indigenous people during ...
Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
(1827) features standard Gothic motifs, characters, and plot, but with one significant twist; it is set in the twenty-second century and speculates on fantastic scientific developments that might have occurred three hundred years in the future, making it and Frankenstein among the earliest examples of the science fiction genre developing from ...
A depiction of the malformed Igor. Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son of Frankenstein (1939) and The Ghost of Frankenstein (1942).
Frankenstein, a play adapted by Christine Davey, premiered at La Mama Courthouse in 2023. This production updates the original story to explore the themes of gender rights, wealth, class and the patriarchy. [34] Frankenstein, a play adaptation by Shake & Stair Theatre Co, premiered at Queensland Performing Arts Centre in 2023. [35]
Monster Literature exerts feelings of isolation to its characters. For example, in Frankenstein, both Victor Frankenstein and the monster he creates are left isolated after they abandon their family members. Frankenstein obsesses over his scientific revelations and neglects his potential fiancé and the rest of his family.
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