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Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. [7]
Giotto made the closest approach to Halley's Comet and provided the best data for this comet. [10] Giotto was the first spacecraft: to provide detailed pictures of a cometary nucleus. [11] to make a close flyby of two comets. Young and active comet Halley could be compared to old comet Grigg–Skjellerup.
Lamentation (The Mourning of Christ) is a fresco painted c.1305 by the Italian artist Giotto as part of his cycle of the Life of Christ on the interior walls of the Scrovegni Chapel in Padua, Italy.
Paintings by Giotto di Bondone (1266−1337) — the renowned Italian Late Gothic artist of frescos and polychrome works. Pages in category "Paintings by Giotto" ...
Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.
The first studies of the Berlin Crucifixion by Wilhelm von Bode attributed the work to Giotto.Following critics, like Roberto Longhi in 1948, have doubted the attribution. . Others like William Suida, Pietro Toesca, and Richard Offner theorized a "Master of the Strasbourg Crucifixion", placing the Berlin Crucifixion in relation with other similar small-format wo
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists.
Padua Crucifix (c. 1300-1305). The Padua Crucifix (Italian: Crocifisso di Padova) is a painting in tempera on poplar panel by Giotto of c. 1303–1305. [1] Originally hanging in the centre of the Scrovegni Chapel in Padua, above the latticework of the iconostasis, it was probably contemporaneous with his frescoes in the same chapel. [2]