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The Puerto Rican census of 1777 listed 1,756 indios, while the 1787 census listed 2,032. It is not clear, however, exactly which groups were counted as indios at the time and how accurate the census data was—some indios may have remained hidden or lived in isolated and remote communities to avoid enslavement or worse. [ 132 ]
San Juan Nepomuceno Santo statuette by Felipe de la Espada, born in San Germán, Puerto Rico ca. 1754. When the Spanish first arrived in Puerto Rico, one of their primary tools in converting the indigenous Taíno population were statuettes, known as Santos, depicting the Virgin Mary, Jesus Christ, and other Catholic icons (the practice of religious sculpture already existed on the island ...
Agüeybaná II led the Taínos of Puerto Rico in the Battle of Yagüecas, also known as the "Taíno rebellion of 1511" against Juan Ponce de León and the Spanish Conquistadors. [1] It was the last Taíno rebellion against the Spanish Conquistadores , and Agüeybaná II was killed during the battle.
Puerto Rican anthropologist Ricardo Alegría suggests that the proper pronunciation and name of the cacique was Aymaco, with Aymamón being a way of designating the cacique that ruled over the region called Aymamio, or possibly just a misunderstanding of the name's adequate pronunciation. However, historical documents have traditionally used ...
These influences are evident in the fields of dance and music, such as la bomba, la plena, and most recently in reggaeton, which is an Afro-Caribbean based Puerto Rican genre, as well as influences in Puerto Rican Spanish, and Puerto Rican cuisine. The presence of African diasporic religions, such as Santeria, is due to African influence.
The Museo el Cemí is a history museum in Coabey barrio in Jayuya, Puerto Rico which opened in 1989. The museum building is a replica of a Cemí [ 1 ] [ 2 ] and showcases Taíno artifacts. [ 3 ] [ 4 ]
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