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The Pandora myth first appeared in lines 560–612 of Hesiod's poem in epic meter, the Theogony (c. 8th–7th centuries BCE), without ever giving the woman a name. After humans received the stolen gift of fire from Prometheus, an angry Zeus decides to give humanity a punishing gift to compensate for the boon they had been given.
In Greek mythology, Pandora (Ancient Greek: Πανδώρα, derived from πᾶν, pān, i.e. "all" and δῶρον, dōron, i.e. "gift", thus "the all-endowed", "all-gifted" or "all-giving") [1] was the name of the following women: Pandora, first human woman created by the gods. [2]
Not often identifiable in Greek art, she appeared as a modestly veiled woman. Her symbols are the hearth and kettle. She plays little role in Greek myths, and although she is omitted in some lists of the twelve Olympians in favour of Dionysus, no ancient tale tells of her abdicating or giving her seat to Dionysus. [10]
First woman may refer to: Eve, the first woman in Abrahamic religions Aclima, Luluwa or Calmana, in Abrahamic traditions, the first woman born; Lilith, the first independent woman created and demonic figure in Judaic mythology, supposedly the primordial she-demon and alternatively first wife of Adam; Lucy, an early female australopithecine that ...
Lucy, a character in the 1995 American coming-of-age teen comedy movie Clueless; Lucy, a character in the webtoon series Adventures of God; Lucy, the Girl from the British-French series 64 Zoo Lane; Lucy, a character in the film K.G.F: Chapter 1; Lucy, a character in the TV series Trailer Park Boys; Lucy, the protagonist of the film Lucy
Hesiod's Theogony, (c. 700 BCE) which could be considered the "standard" creation myth of Greek mythology, [1] tells the story of the genesis of the gods. After invoking the Muses (II.1–116), Hesiod says the world began with the spontaneous generation of four beings: first arose Chaos (Chasm); then came Gaia (the Earth), "the ever-sure foundation of all"; "dim" Tartarus (the Underworld), in ...
The Glory of Hera : Greek Mythology and the Greek Family (Boston: Beacon Press) 1968 (Princeton University 1992 ISBN 0-691-00222-3) Concentrating on family structure in 5th-century Athens; some of the crude usage of myth and drama for psychological interpreting of "neuroses" is dated.
The first 94 lines describe ten women, or types of women: seven are animals, two are elements, and the final woman is a bee. Of the ten types of women in the poem, nine are delineated as destructive: those who derive from the pig, fox, dog, earth, sea, donkey, ferret, [a] mare, and monkey.