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In the mid-1950s Gibson looked to create a new guitar pickup different from existing popular single coil designs. Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference.
The original Customs were fitted with a P-90 pickup in the bridge position and an Alnico V "staple" pickup in the neck. In 1957, the Custom was fitted with Gibson's new PAF humbucker pickups, [ 28 ] [ 29 ] and later became available with three pickups instead of the usual two.
The Paul Standard had a single sharp cutaway Les Paul-style walnut body, [2] set walnut neck, 22-fret ebony fingerboard with pearl dot inlays, walnut headstock with gold Gibson logo (1978–1981), three-per-side tuners, Tune-o-matic bridge, stop tailpiece, two exposed humbucker pickups, some models had "T" top pickups, four knobs (two volume ...
In 1968, Gibson reissued the original, single-cutaway Les Paul, one version being a Goldtop with P-90 pickups. [2] In 1972, they produced Limited Edition reissues, called the "58 Reissue" though actually based on the 54 Goldtop Les Paul, with a stopbar tailpiece; and the 54 Custom, the "Black Beauty," equipped with a P-90 in the bridge and an ...
Like the singlecut version of the LP Junior, it has a single "dog-eared" P-90 single coil pickup. This Les Paul doublecut is currently only available as a Gibson Custom Shop/Historic Reissue model, called the "1958 Junior Doublecut." The Junior, in both its singlecut and doublecut forms, was originally Gibson's "student" model.
Lover's most famous humbucker design was the P.A.F. (Patent Applied For) designed while working for Gibson in 1955. This pickup was utilized in a range of Gibson guitars, most notably the Les Paul model. Before Lover, electric guitarists were forced to cope with the 60-cycle hum received by single coil pickups. It was in the mid-'50s, while ...
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