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The style is clearly influenced by the Greco-Buddhist art of Gandhara. [ 44 ] The Indo-Scythian Western Satraps (1st century AD-405 AD may have played a role in the transmission of the art of Gandhara to the western Deccan region, as may also have the southern expansion of the Alchon Huns in the 6th-7th century.
Initially, Buddhist art was aniconic, but Greco-Roman influences led to the emergence of anthropomorphic depictions of the Buddha in the 1st century CE. [41] The height of this artistic style was during the Kushan Empire. Many examples of Gandhāran Buddhist sculpture have been found, showing the influence of Greco-Roman sculpture.
[18] [19] The style of these statues is somewhat reminiscent of the earlier monumental Yaksha statues, usually dated to one or two centuries earlier. [20] Several seated Buddha triads in an elaborate style are known from the Greco-Buddhist art of Gandhara, such as the Brussels Buddha, which may also be dated to the early years of Kanishka. [21] [5]
Johanna Hanink has attributed the concept of "Greco-Buddhist art" to a European scholarly inability to accept that natives could have developed "the pleasing proportions and elegant poses of sculptures from ancient Gandhara", citing Michael Falser and arguing that the entire notion of "Buddhist art with a Greek 'essence'" is a colonial ...
The Seated Buddha from Gandhara is an early surviving statue of the Buddha discovered at the site of Jamal Garhi in ancient Gandhara in modern-day Pakistan, that dates to the 2nd or 3rd century AD during the Kushan Empire. Statues of the "enlightened one" were not made until the 1st century CE.
Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
Behrend, Kurt A. (ed), The Art of Gandhara in the Metropolitan Museum of Art, 2007, Metropolitan Museum of Art, ISBN 9781588392244, online; Behrend, Kurt A., The Ancient Reuse and Recontextualization of Gandharan Images: Second to Seventh Centuries CE, 2009, South Asian Studies, Ganharan Studies, vol. 2, online at www.academia.edu
The Greco-Buddhist art of Gandhara, beyond the omnipresence of Greek style and stylistic elements which might be simply considered as an enduring artistic tradition, [89] offers numerous depictions of people in Greek Classical realistic style, attitudes and fashion (clothes such as the chiton and the himation, similar in form and style to the ...
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