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The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara , located in the northwestern fringe of the Indian subcontinent .
The Amaravati school of Buddhist art was one of the three major Buddhist sculpture centres along with Mathura and Gandhara and flourished under Satavahanas, many limestone sculptures and tablets which once were plastered Buddhist stupas provide a fascinating insight into major early Buddhist school of arts.
Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] civilization centred in present-day north-west Pakistan and north-east Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and ...
Kushan art blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2] Most of the Greco-Buddhist art of Gandhara is thought to have been produced by the Kushans, starting from the end of the 1st century CE. [16]
Initially, Buddhist art was aniconic, but Greco-Roman influences led to the emergence of anthropomorphic depictions of the Buddha in the 1st century CE. [41] The height of this artistic style was during the Kushan Empire. Many examples of Gandhāran Buddhist sculpture have been found, showing the influence of Greco-Roman sculpture.
The major school of arts were the Gandhara School of Art and the Mathura School of Art. The Gandhara school had huge influence of Greek Iconography and the themes were mainly Buddhist. Most prominent among the objects is the Standing Buddha, made in Grey schist stone in Gandhara School of Arts and it belongs to the 2nd century CE. This period ...
Taxila Museum has one of the most significant and comprehensive collections of stone Buddhist sculpture from the first to the seventh centuries in Pakistan (known as Gandharan art. The core of the collection comes from excavated sites in the Taxila Valley, particularly the excavations of Sir John Marshall.
Face of the statue, from 3 angles. Base of the statue. Standing Buddha, National Museum, New Delhi. Hand detail. From another direction, Chinese historical sources and mural paintings in the Tarim Basin city of Dunhuang accurately describe the travels of the explorer and ambassador Zhang Qian to Central Asia as far as Bactria around 130 BC, and the same murals describe the Emperor Han Wudi ...