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Jason Statham (/ ˈ s t eɪ θ əm / STAY-thəm; born 26 July 1967) is an English actor and producer. He is known for portraying tough, gritty, or violent characters in various action thriller films, and has been credited for leading the resurgence of action films during the 2000s and 2010s. [ 1 ]
The principle of mutability is the notion that any physical property which appears to follow a conservation law may undergo some physical process that violates its conservation. [ 1 ] [ 2 ] [ 3 ] John Archibald Wheeler offered this speculative principle after Stephen Hawking predicted the evaporation of black holes which violates baryon number ...
It stars Jason Statham. The producers allege that the story was prevented from being told in 1971 because of a D-Notice, to protect a prominent member of the British royal family. [4] [5] According to the producers, this film is intended to reveal the truth for the first time, [6] although it apparently includes significant elements of fiction.
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The film stars Jason Statham, Tommy Lee Jones, Jessica Alba and Michelle Yeoh. Mechanic: Resurrection premiered in Hollywood on August 22, 2016, and was theatrically released in the United States on August 26, 2016. It received mostly negative reviews, but grossed $125 million worldwide against a budget of $40 million, eclipsing its predecessor ...
13 is a 2010 American psychological crime thriller film directed by Géla Babluani (who also directed the original), stars Sam Riley, Ray Winstone, 50 Cent, Mickey Rourke and Jason Statham. It is a remake of the 2005 Georgian-French film 13 Tzameti .
In April 2018, Jason Statham said a sequel to The Meg (2018) would happen if the film did well with the public, saying: "I think it's like anything in this day and age – if it makes money, there's obviously an appetite to make more money. And if it doesn't do well, they'll soon sweep it under the carpet--but that's the way Hollywood works."
Jason Statham and much of the cast joined in August and September 2016. [10] The film is an American and Chinese co-production. [11] It was considered a full co-production under Chinese regulations, and it was not subject to the same quota system and revenue sharing agreements usually applied to imported films. [12]