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Elaine de Kooning was born Elaine Marie Catherine Fried in 1918 in Flatbush, New York. [6] Later in life she told people she was born in 1920. Her parents were Mary Ellen O'Brien, an Irish Catholic, and Charles Frank Fried, a Protestant of Jewish descent.
Collins’ massive scaled paintings have been exhibited, purchased and collected by museums, embassies and private collectors worldwide: [9] Cultural Palace Museum, Beijing, China, Metropolitan Museum Manila, Manila Philippines, Laguna Art Museum, United States, Singapore Art Museum, Republic of Singapore, the Newport Art Museum, United States, Museum of Fine Arts, Hanoi, Vietnam.
Amy Sillman, Split 2, oil and acrylic on canvas, 75" x 66", 2020. Amy Sillman (born 1955) is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation.
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"
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